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American Gods (Episode 8) recap

Posted by Matt on June 22, 2017

American Gods Television

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American Gods (Episode 7) recap

Posted by Matt on June 12, 2017

American Gods Emily Browning Pablo Schrieber Television

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American Gods (Episode 6) recap

Posted by Matt on June 05, 2017

American Gods Emily Browning Neil Gaiman Pablo Schrieber Television

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American Gods (Episode 5)

Posted by Matt on May 30, 2017

American Gods Gillian Anderson Television

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American Gods (Episode 4)

Posted by Matt on May 22, 2017

American Gods Comedy Drama Fantasy Horror Neil Gaiman Television

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American Gods (Episode 3)

Posted by Matt on May 15, 2017

American Gods Neil Gaiman Television

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American Gods (Episode 2)

Posted by Matt on May 10, 2017

American Gods Gillian Anderson Orlando Jones Television

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American Gods (Episode 1)

Posted by Matt on May 06, 2017

American Gods Ian McShane Television

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Mulholland Drive (2001) review

Arguably David Lynch's masterpiece, this surreal, nightmarish crime-thriller, blending everything from soap opera melodrama to straight up horror showcases his immense talents as both a writer and director. Watching Mulholland Drive is an experience unlike any other film I have ever seen as it tests you on a number of levels, with its miasmic dream-world capturing your imagination in a way that few films ever manage. The real strength here is that so much is left unexplained. While the latter portion of the film helps to define and explain some of the apparent inconsistencies of the preceding story there are a number of moments, characters, and mysteries that are unresolved even on a third of fourth viewing. The film begins with a dark-haired woman played by Laura Harring being driven up the winding road of the title, that snakes into the hills of Los Angeles. After being involved in a car accident, she stumbles downhill towards the sleeping town, taking refuge in the fir...

The Death of Stalin (2017)

A seemingly unlikely source of humour, this dark comedy takes a look at the final days of the "Great Terror" and the chaotic aftermath of Stalin's death, when his closest allies in the party begin jockeying for power. The film treads a fine line between horror and comedy. In the early scenes we see an orchestral performance that is going out live over the radio. When Stalin sends a message to say he would like a recording of the night's concert, which they have failed to record, the technicians are forced to recreate the entire show again from the beginning. It is hilarious to see them persuading the orchestra to begin again, and taking random members of the public off the street to fill out the audience, some of whom have already departed, but at the same time terrifying to think that the people were living in so much fear of this dictator. Similarly in the high commands talks of "disappearances" of certain people there is a sense of laughing through g...

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